Marvel Studios' visual effects (VFX) crews have taken a significant step toward unionization. The International Alliance of Theatrical Stage Employees (IATSE) reported that over 50 workers from Marvel's VFX team have submitted authorization cards indicating their desire to be represented by the union, accordiong to the Hollywood Reporter.
These professionals, who work directly for Marvel and are primarily located in Atlanta, Los Angeles, and New York, have initiated this move for better labor conditions. However, this development does not encompass the thousands of VFX artists who collaborate on Marvel films through third-party studios.
Historically, the VFX industry has remained largely non-union, but IATSE perceives the need for a transformative shift. The recent initiative to form a union comes after an earlier attempt a decade ago following the bankruptcy of Rhythm & Hues. This time, Marvel's VFX crew is taking the lead in this organizational endeavor, demonstrating a collective demand for improved respect and conditions.
The decision to unionize arrives amidst an already turbulent period in the VFX field. Marvel recently terminated Victoria Alonso, who oversaw VFX at the studio, alongside anonymous complaints from VFX professionals about challenging work conditions, including extensive hours and nonstop workweeks.
Isabella Huffman, a VFX coordinator at Marvel said, “Turnaround times don’t apply to us, protected hours don’t apply to us, and pay equity doesn’t apply to us. Visual Effects must become a sustainable and safe department for everyone who’s suffered far too long and for all newcomers who need to know they won’t be exploited.”
This unionization push coincides with a larger trend of labor movements across various industries within the United States, including major companies like Amazon and Starbucks. Additionally, the increased approval ratings of unions, as reported by Gallup, indicate growing support for collective workers' rights.
IATSE's International President, Matthew D. Loeb said, “We are witnessing an unprecedented wave of solidarity that’s breaking down old barriers in the industry and proving we’re all in this fight together. That doesn’t happen in a vacuum. Entertainment workers everywhere are sticking up for each other’s rights, that’s what our movement is all about. I congratulate these workers on taking this important step and using their collective voice.”
