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‘Death on the Nile’ cruises to N America box office lead

AFP . Los Angeles
15 Feb 2022 00:00:00 | Update: 15 Feb 2022 09:41:58
‘Death on the Nile’ cruises to N America box office lead

‘Death on the Nile’ cruised to the top of the North American box office in its opening weekend, showing the continuing lure of a good old-fashioned Agatha Christie murder mystery, according to industry data Sunday.

The movie from 20th Century -- the third based on Christie’s 1937 novel of the same name -- took in an estimated $12.8 million for the Friday-to-Sunday period, industry watcher Exhibitor Relations reported.

“This is a fair opening, with a couple of asterisks,” said David A. Gross of Franchise Entertainment Research. The asterisks: Sunday’s widely watched football Super Bowl always depresses filmgoing, and coronavirus-hit Hollywood is still battling its way back from the Omicron surge.

‘Death on the Nile’ stars and was directed by Kenneth Branagh as perspicacious Belgian detective Hercule Poirot, a role he also played in his ‘Murder on the Orient Express.’ 

Branagh is having a good year: His ‘Belfast’ garnered best-film and best-director Oscar nominations.

The success of ‘Death’ left last weekend’s box office leader, ‘Jackass Forever,’ slipping to second place, at $8.1 million. Paramount’s irreverent comedy features spoofs, gross-outs and painful stunts dreamed up by Johnny Knoxville and his merry pranksters.

In third spot, opening strategically before Valentine’s Day on Monday, was Universal’s rom-com ‘Marry Me,’ at $8 million. 

It stars Jennifer Lopez and Owen Wilson as two strangers -- she a superstar, he a nerdy divorced math teacher -- who spontaneously agree to marry each other and then... (fill in appropriate Hollywood ending).

Sony blockbuster ‘Spider-Man: No Way Home’ took fourth spot, at $7.2 million. The Sony/Marvel film has been in the top five domestically since its release nine weeks ago; its international take has now passed $1 billion.

And in fifth spot was another new release, ‘Blacklight’ from Focus Features. The quirky Liam Neeson crime thriller, which has suffered poor reviews, took in $3.6 million.

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